口径：14.8cm 底径15  高度 53cm

乾隆帝，论鉴宝藏古、好物兴艺，堪称历代国君之冠。 此瓶成于景德镇御窑厂，器型恢宏，巧缀洋彩，锦上添花，祥瑞满溢，应为供御所制。未见他例有录，疑为传世孤品。
「洋彩」之名，君亦用之，透视高宗对来华西风之认同。随着传教士来华引入之繁密洋花、使用渐层或白彩交代立体明暗等西洋绘饰，经屡次试验，乾隆年间清宫匠人已能掌握采用。本品中西合璧，技精艺绝，诚洋彩佳作，极为难得。轧道锦地，密绘洋花绽放，高技精艺，细致入微，彷佛锦织华绣，瑰丽堂皇。锦上添花，恰合于高宗对繁缛饰纹之好，肇制于乾隆一朝，方兴未艾。寿桃、洋花，虽常见于乾隆御瓷，但如此瓶上之洋莲绽三桃纹饰，却极罕。瓶上绶带暗八仙纹，寄语长寿，明清瓷器上虽偶有见之，但乾隆洋彩瓷例极稀。后朝例较多见之，如道光御制外黄地内暗八仙纹盘，为万寿节而制，见赵聪月编，《故宫博物院藏慎德堂款瓷器》，北京，2014年，图版2。
乾隆御制黄地洋彩瓷甚罕，仅曾有数例见于拍卖。乾隆帝尤好正黄，或嘉其乃御用之调，且乃八旗元首正黄旗之色，是以洋彩瓷中，弘历尤喜黄地之器。据乾隆二年（1737）《活计文件》记载，乾隆皇帝非常喜爱黄地洋花宫盌，曾旨意：「黄地洋花宫盌甚好，再烧造些。」同时还要求「东青釉拱花罇、嘉窑青穿枝莲八宝双珠大罇、嘉窑青龙穿枝莲天球罇，此三样照洋彩黄地洋花宫碗上花样烧造些。」（图一）另有乾隆黄地洋彩轿瓶，纪年乾隆七年（1742），上有墨书御题诗称道：「官汝称名品，新瓶制更嘉」，可见乾隆甚喜新制瓷瓶，君心大悦，图见廖宝秀编，《华丽彩瓷－乾隆洋彩》，国立故宫博物院，台北，2008年，编号20（图二）。
Emperor Qianlong, on the basis of ancient treasures and good arts, is regarded as the crown of the monarchs of all ages. This bottle was completed in the Royal Kiln Factory of Jingdezhen, with a magnificent shape, decorated with beautiful colors, icing on the cake, full of auspiciousness, and should be made by the Imperial Palace. No record of him was found, and he was suspected of being an orphan.
The name "foreign color" is also used by Jun to see Gaozong's identification of the west wind coming to China. With the introduction of dense foreign flowers introduced by missionaries to China, the use of gradients or white color to explain the three-dimensional light and shade, and other Western paintings, after repeated experiments, the Qing Dynasty craftsmen have been able to master the use. This product is a combination of Chinese and Western styles. Rolling roads and brocades, densely painted foreign flowers blooming, high-tech precision, meticulous, as if brocade embroidery, magnificent. The icing on the cake is in line with Gaozong's adorning pattern with luxuriant ornamentation. Although Shoutao and Yanghua are common in Qianlong imperial porcelain, the lotus flower with three peach patterns on the bottle is very rare. There are dark eight immortals on the bottle, and the message is longevity. Although it is occasionally seen on the Ming and Qing porcelains, the examples of Qianlong porcelain are extremely rare. Examples of the later dynasties are more common, such as the Daguang Imperial System outside the yellow land inside the dark eight immortal pattern plate, made for Wanshou Festival, see Zhao Congyue, "The Palace Museum Collection Shendetang porcelain", Beijing, 2014, Plate 2.
The Qianlong Imperial Huang Diyang colored porcelain is rare, and only a few cases have been seen in auctions. Emperor Qianlong is particularly fond of yellow, or Jiaqi is the tune of royal use, and it is the color of the yellow flag of the Eight Banners heads. It is a pottery that is especially fond of yellow land in foreign porcelain. According to Qianlong's 2nd year (1737) "Live Account Documents", the Emperor Qianlong liked the bowls of the Huangdi Yanghua Palace very much. He once stated: "The bowls of the Huangdi Yanghua Palace are very good, and they should be burned a little more." The arch flower tincture, Jiayao green pendant Zhilian eight treasure double bead big clam, Jiayao Qinglong pendant Zhilian celestial sphere, these three patterns are burned according to the patterns on the bowls of the western-colored yellow flower gardens. "(Picture 1) Another There are Qianlong Huangdiyang color sedan bottles, the seven years of Qianlong (1742), and an inscription on the inscription on the ink book saying: "The official is called a famous product, and the new bottle is more beautiful." It can be seen that Qianlong is very pleased with the new porcelain bottle. For pictures, see Liao Baoxiu, "Gorgeous Colored Porcelain-Qianlong Yangcai", National Palace Museum, Taipei, 2008, No. 20 (Figure 2).