口径：4.3cm 高：34.1cm

本品造型优雅隽秀，直口短颈，左右附饰二耳，玲珑别致，釉质温润莹白，器身前后均绘饰立龙海水纹，以青花绘祥云与浪涛，层次清晰，尤见浪涛动感强烈，以釉里红绘画正面立龙，巧缀青花点睛，其雄硕遒劲，威仪横贯，气夺千里。所施釉里红一色妍丽，发色于市场流通中为极上品，含蓄之美宛如佳人初醉，与青花明快鲜亮之色，相互辉映，
此式扁瓶系受西亚文化启迪而出现的器形，肇始流行于永宣时期，后雍正、乾隆二朝御瓷对其均有摹制与化裁，在清宫的正式名称为马挂瓶。其形典雅尊贵，透出皇家独有的气派，深为乾隆皇帝喜欢，多次谕旨唐英为之烧制，存世所见品类繁多，可见当年烧造之盛。目前检视档案，乾隆朝关于马挂瓶烧制的最早记录是在乾隆二年，此件拍品出自于私人珍藏，极其珍稀。
The shape of this product is elegant and graceful, with straight mouth and short neck, two ears on the left and right, exquisite chic, warm and shiny white enamel, painted with dragon water pattern on the front and back of the body, painted with blue and white clouds and waves. The movement is strong, and the front of the dragon is painted in red with glaze. It is decorated with blue and white dots. Its majestic strength, magnificent transcendence, and ridicule. The red glaze applied is glamorous, and the hair color is superb in the market circulation. The subtle beauty is like the beauty of the first drunk, and the bright and bright color of blue and white, reflects each other.
This type of flat bottle was an instrument inspired by Western Asian culture. It began to be popular during the Yongxuan period. The Imperial Porcelain of the later Yongzheng and Qianlong dynasties both controlled and tailored it. The official name in the Qing Palace was a horse-hanging bottle. Its elegant and distinguished shape reveals the unique style of the royal family. It was deeply loved by the Emperor Qianlong. It was burned for many times by Tang Ying, and there are many varieties seen in the world. According to the current review of the archives, the earliest record of the Qianlong dynasty's burning of horse hanging bottles was in the second year of Qianlong. This lot is from a private collection and is extremely rare.